coming off the road and not being in a band for maybe the first time in my life, surrounded by things like girl talk and rap music that had decoupled the formerly organic nature of rock music from itself, i joined one of the best live bands there ever was, the rolling stones from ’68 to ’72, and started to ‘cut your voice in with the rolling stones’, as i later found out that william burroughs had prescribed in ‘the ticket that exploded’, as one of a number of revolutionary techniques utilizing media as a weapon
preliminary info and partial release components follow
fuck the rolling stones
street fighting man
exile on main street
01) exile on main street by the rolling stones – reification
02) rock: exile on main street by the rolling stones – re-reification
03) exile on main street by the rolling stones, as covered by pussy galore – reification of a symbolic representation of an object
04) rock: exile on main street by the rolling stones, as covered by pussy galore – re-reification of a symbolic representation of an object
05) rock: exile on main street by the rolling stones – alternate re-reification (multiple versions)
06) exile on main street by the rolling stones, as covered by rock – symbolic representation of an object
07) exile on main street by rock – new audio using the original song titles, simultaneously a new symbolic object and a virtual reification of a symbolic representation of an object (multiple versions)
installation schema tbd
live/remote performance schema tbd
rock: exile on main street by the rolling stones (v1)
sympathy for the devil * weather underground * rolling stones
info tbd
installation schema tbd
live/remote performance schema tbd
